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Music

Charity Single: This Won’t Last Long

We’re delighted to launch our new charity song ‘This Won’t Last Long’, a song of hope and strength for our friends and colleagues in the NHS.

It has been written, recorded and produced in isolation whilst staying at home to help protect, and in celebration of, our NHS.

We’re happy to offer a free download of this song at our Bandcamp page.

If you like what you hear, then please support the work of the amazing Hospital Charities in Leicester, Nottingham, Derby and Sherwood Forest Hospitals at our Justgiving page.

Thank you!

Music in Healthcare Training – 14-18 May 2018

 

 

 

 

 

 

PLEASE NOTE – This course is now full. If you wish to be added to our waiting list, please do send in an application form for our consideration. You can also contact us at training@opusmusic.org to be added to our mailing list for future training opportunities.

Applications are now open for our 5-day Music in Healthcare Settings Training course based in Derby and Sutton in Ashfield, UK.

This course will take place on 14, 15, 16, 17 and 18 May 2018 at Kedleston Road Training and Development Centre, Derby, All Saints Centre, Huthwaite and and Kings Mill Hospital, Sutton in Ashfield. (Shared travel will be arranged between Derby and other sites for those needing it)

More details are available here:

Music in Healthcare Training opportunity Musicians Brief May 2018 (pdf)
Application Form (pdf)
Application Form (word document)

We will be offering places on the training programme as we receive suitable applications. We will close the application process once all eight places have been filled.

You are encouraged to apply as soon as possible and before the deadline of Friday 9th March 2018 as places could fill up quickly.

Here’s what previous trainees have said about this training course:

If you are at all interested in how music can be used as a vehicle for better health, happiness and well-being…DO THIS COURSE. It was one of the most moving, enlightening and humbling weeks of my life and has confirmed 100% for me that I’m on the right path musically, professionally and personally.

This training was all about fabulous human encounters in music: with the patients, their relatives, the hospital staff, my fellow trainees, and of course with Nick, Sarah and Richard.

I would recommend doing this training if you feel excited about the possibility of using music to enrich and even transform lives in a setting that is a long way from the stage.

This course has the potential to redefine your ideas of musical performance and what it means to connect with others when making music, in healthcare settings and beyond. My notions of musicality were challenged and broken open to reveal once more the true beauty of creativity. Something I am thankful for. The course is an absolute must for musicians, healthcare staff and humanity as a whole.

Training with Opus has been an incredibly creative, exciting, moving, challenging and fun five days, that have inspired me musically and personally. I feel privileged to have met such creative and talented musicians, and feel compelled to tell everyone about the immense power of music in the hospital setting!

Every moment of the course is crucial to exploring the role of the musician in a healthcare setting. The team of professional and well-experienced facilitators firmly ground the profession within its social and cultural context and offer a structured introduction to cutting edge techniques and exploratory, collaborative experience within the hospital setting itself. I would whole-heartedly recommend attending a course with OPUS to any musician looking to have an impact in this growing area of expertise.

This is one of the best training courses I have ever attended because in such a short time it has given me musical skills and confidence I did not have, as well as opening up a new career path in a fascinating discipline

The course is incredibly fulfilling and so valuable. It was unique in how engaging, rewarding and informative it was, as well as fun! I felt at ease quickly and thoroughly enjoyed how much I learnt, both in the experiences it gave but also the practical tools I have acquired to develop my own practice and passion for music in healthcare settings.

Sunshine in My Heart Film: OPUS in Children’s Hospitals

We are delighted to share our film, made as part of the evaluation process of our current Music in Children’s Hospitals practice supported by Youth Music, Derbyshire Hospitals Charity, Nottingham Hospitals Charity, Leicester City Council and Nottinghamshire County Council. The film was captured at Nottingham and Leicester Children’s Hospitals by our fantastic external evaluator Dr Anneli Haake.

There are three versions of our film. The full film is 24 minutes long, but if you don’t have the time (please try to make time, we think it’s worth it!) there are 4 minute and 1 minute ‘tasters’. Please do get in touch and let us know your own reflections on our film..

Full film (24 minutes)

4 minute ‘taster’

1 minute ‘taster’

 

Music in Healthcare Training Opportunity: 31st October, 1st, 4th, 5th, 6th November 2013

DSC_7887 edited smallWe are pleased to announce that our next Music in Healthcare Settings training programme for musicians will take place on 31st October, 1st, 4th, 5th and 6th November 2013. This will take place at the Kedleston Road Training and Development Centre in Derby, UK, with part of the time spent at the Royal Derby Hospital/Derbyshire Children’s Hospital.

A full brief and application form are attached below. You are advised to send your application asap as places usually fill up quickly.
Please get in touch with any questions you may have.

Music in Healthcare Training opportunity Artists Brief Oct-Nov 2013 (pdf)

Application Form (doc)
Application Form (pdf)

Some of the feedback from trainees on our previous courses:

‘Thank you so much for this opportunity. It was such a pleasure to explore such an exciting aspect of music making with such lovely like minded musicians, with such a high level of professional standard from the trainers delivering this course. I can’t believe we made such fantastic progress in only five days, and I am thoroughly invigorated by what I have seen can be achieved with music in a hospital setting.’

‘This course is really is a must for any musician who wishes to work in healthcare settings. The course leaders are lovely to work with and obviously are very passionate and knowledgeable about their vocation. It’s a massive learning curve, and you must approach it with an open mind and willingness to learn, but you get a lot of support in a really welcoming and friendly environment. I’ve come away feeling inspired and challenged and informed and able to use all I’ve learnt in my own practice straightaway. It is also amazingly good value for money!’

‘Professional, personally and as a musician, this has been absolutely the best course I’ve ever been on. It’s been a fantastic privilege working with a supportive group of musicians, superb facilitation from the course team and a great mix of theory and practice which has equipped me to start my journey into working in healthcare settings.’

‘A fantastic week for those who are interested in learning more about music in a healthcare setting, expanding their repertoire, developing skills in improvising and meeting some truly lovely people!’

‘This course is an excellent introduction and grounding in the professional practice of music in healthcare. It is presented with great professionalism and expertise.’

‘This will test and stretch the way you think about delivering any kind of music intervention. I’d recommend you have previously at least practised this in some way so that you can self-examine and reflect. 100% professional programme in content and delivery. Complements all other training I’ve done and widened my horizons.’

‘Bring an open mind, and be prepared to learn and share.’

‘The course gives an exciting insight into what music in healthcare is like, which can really open your eyes to something new, I know it did for me. There is the chance to experiment with music within a comfortable, relaxed setting, which as a person who hates improvising I found completely stress free and fun. As well as this you learn so many transferable skills for jobs including music and for everyday life which makes the course really worth while.’

Inspiration

When we work in hospital we never know who we are likely to meet and what reaction we will get to our music. Mostly people react positively to us when we arrive with our instruments, sometimes people join in with us but it is rare to find someone with instrument at the ready and desperate to do some playing!

The other day we were invited into a room where two nurses were just finishing a treatment on a little girl. Her mum and another visitor were with her. We played a piece and her face lit up. Then I noticed that she had a ukulele on her bed, so I switched from playing bodhran to ukulele. She was really pleased about that so I tuned up her uke for her and she showed us the song she knew and we all joined in and played together. She played really well and put so much energy into her song that it was a real joy to watch and play along with her. We had a little chat about music and then did some more playing. We played another song and as Sarah and Sarah played and sang the words I sang the chords and the girl started to join in on the Uke. After about 4 times round the song she had it and again she played along with real vigor even saying that she was enjoying herself so much she didn’t want to go home which she was scheduled to do later that day.

Sarah had a copy of the words and the chords with her so she let the girl have them. We left the room to the sound of the girl playing away on her ukuele with all the adults in the room singing along and saying that if she has to come back to hospital she will make sure it is on a Tuesday when we are in.

I play music everyday and although it is always a pleasure it was a real gift to be confronted with the unadulterated joy that this little girl had in playing her music. She devoured the chance of learning something new and delighted in everyone playing together. Seeing her play reminded me why I started playing in the first place.

Preconceptions are often misconceptions!

We were asked to visit the room of a teen aged boy who we were told was under constant supervision and was really into music – especially heavy rock and rap. We were told that he was a DJ and played the drums.

Before starting to work in hospitals my response to this request would have included a certain amount of uncertainty as to how to connect with this boy. With the limited information that we’d been given it would be easy to develop the preconception that we were going to work with some one who had very defined musical tastes and that the success of the interaction would be dependent on these some how being reflected in the music we played. I remember how closely I identified with certain bands and musical styles when I was a teenager and how easily I would write off the most adept musical performances if they failed to make the grade in terms of some (often imagined) stylistic nuance.

The temptation given the circumstance outlined above is to reach out to the person by offering them something you think they may know and be able to identify with. The danger in doing this is that you may fall so far short of the mark in comparison to what’s on their iPod that you’ll come across as a fake, or worse an embarrassment. It is important to be yourself, have confidence in what you do and to act with integrity and then this won’t happen. If you don’t feel comfortable playing a particular song or if the piece of music isn’t you then you most likely won’t be successful in offering it to someone else.

We played a song for the boy that we were comfortable with and he listened, not giving much away. Then we got chatting about instruments and music. He wasted no time in telling us what a good DJ and drummer he was and how much he could do on his instrument. He talked with a lot of bravado and his barriers were up. The stories got taller as he went on. We listened and accepted what he said and when he realized that we weren’t going to challenge any of his claims the subject of the conversation changed to “What’s in the box?”. Together, we had a look through the instruments that we had with us; a small glockenspiel, some shakers and a little xylophone and he tried some of them out. He settled on the xylophone. He had one beater and I had the other. Gradually we went from random tapping of notes to taking turns making up four beat phrases. The phrases increased in length and complexity but maintained a steady tempo. There was a lot of eye contact and after a time quite a bit of humour. This went on for about ten minutes with Nick providing backing on guitar until we came to a very musical conclusion and he said he had had enough.

It is very easy to develop pre conceptions about people. Teenagers especially are often seen as always needing to be given something ‘cool’ in order for them to engage. Actually, what they and most people seem to respond to best is something genuine. In this instance it would have been easy to assume that this boy would have had little interest in playing completely freely on a small xylophone for 10 minutes but once he had seen that we were offering him something of ourselves in a non-judgmental way he was able to drop his barriers and just play with us.

Once again I was reminded of the importance of ‘expect nothing’. As musicians in hospital it so important that we accept people as we find them, don’t judge them and expect nothing from them. That way we give them space to be themselves and leave a space for the magic to happen!