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New music in health residencies

As you’ve probably noticed from our lack of blogs recently, OPUS is currently on a summer break. While we’ve not been in the hospitals so much over the past month, much has been going on behind the scenes to finalise arrangements for our new residencies beginning very soon. Thanks to funding and support from Youth Music, Nottinghamshire County Council and Leicester City Council, we are delighted to announce new long-term residencies in children’s wards at three new hospitals beginning in September. These will take place at Leicester Royal Infirmary, Queens Medical Centre, Nottingham and Kings Mill Hospital in Mansfield, with OPUS musicians visiting the hospitals on a weekly or fortnightly basis. This is planned to continue until at least March 2014, though we hope to sustain these residencies beyond this date. We are extremely grateful for the support of our partner hospitals and our funding partners in making these new residencies possible. OPUS has busy and exciting times ahead, with existing residencies continuing at Derbyshire Children’s Hospital and Sheffield Teaching Hospitals alongside training programmes for musicians and healthcare staff. We’re all really looking forward to it!

Smiles, laughter, singing and dancing…

Another lovely session at Sheffield Teaching Hospitals today, playing music in two wards with patients, visitors and staff. This is a relatively new space for us to work in, with mostly small bays of 6 beds in each along a very long corridor. We play before and during visiting time, and get the sense that the visitors as well as patients are gaining a great deal of enjoyment and wellbeing from the music-making. Staff commented today that the atmosphere is much calmer and that everyone seems to be smiling when we’re around. Staff were waltzing in the corridors, dancing as they got on with their duties. The ward sister commented that they would have us there every day if they could. Patients were singing along with our music, with some teaching us some new songs including ‘Delaney’s Donkey’ and ‘Don’t Laugh at Me’. Some were ‘dancing’ in their chairs and beds much to the enjoyment of other patients and staff. All in all, much laughter, culture and humanity was present throughout the session – and I think we left a taste of it behind.

Music in Healthcare Settings Training, Derby: 25th-31st October 2012

DEADLINE EXTENDED TO 28TH SEPTEMBER 2012

OPUS Music CIC is currently engaged in a residency at Derbyshire Children’s Hospital. This residency has been in place since December 2010, with OPUS musicians visiting the hospital on a regular basis to make music for and with patients, visitors and staff.

From September 2012, OPUS will also deliver new residencies within children’s wards at Leicester Royal Infirmary, Queens Medical Centre in Nottingham and Kings Mill Hospital in Sutton in Ashfield.

These residencies are supported by funding from Youth Music, Derbyshire Children’s Hospital, Nottinghamshire County Council and Leicester City Council with additional support from all partner hospitals, Derbyshire Music Education Hub, soundLINCS and Natal percussion.

As part of this programme of activity, OPUS is offering training for musicians who already work in, or have an interest in working in healthcare settings. Whilst this training will focus primarily on working with hospitalised children and young people, the theoretical background and practice will also be of benefit to those who wish to work with other age groups.

Following the training, there may be opportunities to join OPUS musicians in delivering musical interventions in healthcare settings as part of these residencies or in other programmes of work. We cannot however currently offer any paid work beyond this training.

Training takes place on 25th, 26th, 29th, 30th and 31st October 2012 in Derby, UK. This training programme is subsidised through project funding and as such we require payment of only £75 total for the 5 days of training (payable on acceptance onto the course).

‘I came away from the course with a desire to start doing this work in my own area – it was some of the most fulfilling music work I have done.’
‘I have found understanding in an area that seemed so out of reach before. I have broadened my horizons and developed my passion for this area further.’

‘Really valuable training. The best I’ve done with youth music.’
‘Thank you very much for a brilliant course!!’

Music in Healthcare Training opportunity Artists Brief (pdf)
Music in Healthcare Training application form (pdf)
Music in Healthcare Training application form
(word)

Contact: training@opusmusic.org

Derbyshire Children’s Hospital residency – feedback

Some recent feedback and comments from our residency at Derbyshire Children’s Hospital.

First a card sent to the hospital by parents…

‘Thank you so much for the fantastic care and support you gave us whilst —— was on the ward. She had some lovely moments with the doctors, nurses and musicians! We cannot thank you enough.’

Lovely to be seen as part of the ‘team’ alongside the doctors and nurses.

More feedback from a parent this week…

‘Absolutely fantastic! Cheered our daughter up no end – better than medicine! Thankyou very much – keep up the good work! :-)’

We certainly will.

The eyes have it…

Derbyshire Children’s Hospital – 15 June 2012. When we’re working as musicians in the hospital, eye contact is critical to us, not only between ourselves as musicians, but also with patients, visitors and staff. A glance from a patient can invite us into their space, give us an indication of their comfort with our presence and give us a clue as to ‘how we are doing’. We often find ourselves using sympathetic eyes – matching a patient’s contact with our own, and negotiating a closer collaboration through eye ‘communication’. Sometimes we can encourage participation or simply smile with our eyes. So much is communicated in this way, and we often reflect upon how our training and experience allows us to use eye contact as a valuable tool in our practice.

Yesterday at the Derbyshire Children’s Hospital we were confronted by the best eye ‘communicator’ we have perhaps ever encountered in the form of a very young baby – only a few weeks old. He had just woken up, and nursing staff had come to find us to ask us to play for him. He was brought out of his room by his parents, carried by his father to meet the three of us (Sarah, Richard and myself). He was at first somewhat agitated, however as we began to play, the three of us lined up playing over each other’s shoulders so as not to crowd the scene, the baby fixed his gaze, as so often happens, upon Sarah’s viola. He became suddenly very calm and purposeful with his wide-eyed gaze, and the whole environment became very calm as doctors and nursing staff looked on. After a minute or so, the baby purposefully moved his gaze to Richard’s bodhran, insisting that Richard come closer to play. Again, after a short time I was also ‘invited in’ by the baby as his stare moved first to my right hand on the guitar, and then to my left hand. Throughout this time baby, mother, father and the medical team were all very calm and peaceful as we all enjoyed the musical moment together. Finally, the baby moved his gaze upwards towards his father’s eyes, as clear a sign as ever that it was time for us to go, and that it was time for the baby to be with his father. We moved slowly away, leaving a peaceful scene behind with an incredibly connected father and baby.

Music had brought people together in a unique way within this scene, and had allowed the baby an opportunity to orchestrate his own environment which was respected and followed by everyone. All through the eyes………

Collaborative music-making

Sheffield Teaching Hospitals. A session in the neuro and spinal rehabiliation wards today which saw a mix of playing for and with patients at the bedside and in a day room setting, along with an impromtu performance for staff. It’s always interesting when staff make requests for a particular style, mood or tempo of music, and reminds us that we are there for the benefit of staff as well as patients. Sometimes it’s nice to make music just with the staff but we have to be careful to make sure we aren’t adversely impacting upon the patient’s space and time for music. Today we had time, and space, and it was lovely to give something to the staff for a short time. The session in the day room included a younger patient who we have now seen many times. He has limited movement and vocal control, but often moves his legs and feet along to the music. Staff have informed us that before his trauma and resulting disability he was an active musician. Today, with the support of therapists at the hospital, he was able to play various percussion instruments along with us using his knees. His musical abilities were instantly recognisable, and led us into a performance which he ‘conducted’, sensitively and musically indicating tempo and dynamics through his own movements and sounds. The enjoyment of collaborative, high quality music-making was great to see in everyone involved.

Youth Music Grant supporting Music in Health Programme

OPUS is delighted to announce that it has been awarded a grant of £113,080 from Youth Music to support the development of its music in health programme. This grant ensures that OPUS will be able to continue its residency at Derbyshire Children’s Hospital for a further two years from May 2012, along with new 18 month residencies in children’s wards at Leicester Royal Infirmary, Queens Medical Centre Nottingham and Kings Mill Hospital in Sutton in Ashfield from September 2012. OPUS musicians will be visiting the hospitals on a weekly basis, making music with young patients, their visitors and hospital staff on wards, in waiting areas and at the bedside. Alongside this, OPUS will be delivering training for healthcare staff, enabling them to work alongside OPUS musicians, and to continue practice outside of OPUS’ visits. OPUS will also be delivering 5-day training courses for musicians wishing to work in healthcare settings. Courses will take place in October 2012, and again in April and October 2013. Finally, OPUS is already working hard through this grant funding to build a strong evidence base of the impacts upon health and wellbeing, sharing research and practice and working with numerous partners to explore the long-term sustainability of this practice. OPUS plans to launch a music and health website later in the year, and to host a national music and health seminar in 2013. Watch this space …………..! We are incredibly grateful to Youth Music, along with our partner hospitals and other funders and supporters for making this programme of work possible.

Sheffield Hospital Residency

Lovely session today at the Northern General Hospital in Sheffield where Oli Matthews and myself (Nick Cutts) were playing music on two wards, for and with patients, visitors and staff. OPUS has been visiting the Sheffield Teaching Hospitals now most weeks since the beginning of 2011, but every visit brings new surprises, new opportunities and new challenges. Today’s highlights include staff dancing up and down the corridors and bays, engaging with patients and visitors on a cultural, human level. One of the nurses turned to us and said she was singing along even though she didn’t know the words…… it was an instrumental piece, but the enjoyment and opportunity for cultural engagement it offered enticed her to sing along using her own words. Fabulous. We were directed towards an elderly lady in a single room who had ‘been crying all morning’ who clapped and gave us a toothless grin as we entered the room playing a gentle melody. She insisted (without words) on a more upbeat melody, and we duly obliged. She also sang along with great glee to an Elvis song for which none of us knew ALL the words, but that didn’t matter at all, and gave us a sparkling rendition of ‘Summertime’ for which we provided accompaniment with soprano sax and guitar. Another elderly patient became conductor, waving his arms in the air, and taking great delight when ‘his band’ followed his lead. At the end of the session, staff were heard discussing their musical lives and musical ambitions (some newly formed) with each other and with patients. A real sense of culture brought into the space, and left with all the people with whom we came into contact. For us, an enjoyable, uplifting and stimulating session to remember.

Derbyshire Children’s Hospital

Our residency at Derbyshire Children’s Hospital began again yesterday, and what a fantastic day of music-making with children, families and healthcare staff it was! It’s fabulous to be back at the hospital where we are made to feel so welcome and really supported in making a big difference to the lives of those we meet. It was a real priviledge to spend some time on the wonderful neonatal intensive care ward yesterday, playing music for and with babies and their families. Staff and families commented on the positive change of atmosphere within the ward, and the feeling of calm and relaxation which ensued. We saw some lovely reactions from the tiniest of babies and plan to make regular visits to neonatal as part of our weekly sessions.

We are extremely grateful to our funders, Youth Music and The Derby Hositals Charitable Trust for supporting this residency which will continue until at least March 2014, with 3 OPUS musicians visiting the hospital on a weekly basis.